Stoke, by Philip Jeck

Stoke

by Philip Jeck

supported by

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

£7 GBP or more
Compact Disc (CD) + Digital Album
Digipac with photography and design by Jon Wozencroft

Includes unlimited streaming of Stoke via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 2 days

2 remaining

Purchasable with gift card

£7 GBP or more
Full Digital Discography

15

releases

Get all 15 Philip Jeck releases available on Bandcamp and save 10%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Vinyl Coda lll-lV, Vinyl Coda l-ll, Arcade, Iklectik, Soaked, The Sinking of the Titanic (1969-), 20_02_00 Live At ICC, Tokyo, Cardinal, and 7 more. , and , .

Purchasable with gift card

£92.67 GBP or more (10% OFF)

1.	Above 05:59	buy track
2.	Lambing 04:48	buy track
3.	Vienna Faults 06:08	buy track
4.	Pax 08:09	buy track
5.	Below 07:32	buy track
6.	Open 05:57	buy track
7.	Close 14:54	buy track

about

With its acrobatic athleticism and penchant for charming gimmicks, in all likelihood HipHop will indefinitely dominate the field of turntablism. Even record-spinning abstractionists like Christian Marclay and Martin Tetrault, who may not always share HipHop's necessity for the beat, put on flashy demonstrations that engage the machismo of technique, alongside their critically minded recombinations of cultural readymades. While Philip Jeck's performances, installations, and recordings have centred around his arsenal of turntables (at last count, he was up to 180 antique Dansette record players, though more normally he performs on two or three, and a minidisc recorder), he isn't terribly interested in the contemporary discourse of turntablism, preferring to coax a haunted impressionism with those tools. However as a calculating improvisor, he shares affinities with the turntable community. Once he is in control of the overall context of the music, he leaves much to the spontaneous reaction towards sound at any given moment.

A typical Jeck composition moves at an incredibly lethargic pace through a series of looped drone tracks caught in the infinities of multiple locked grooves. As he prefers to use old records on his antique turntables, the inevitable surface noise crackles into gossamer rhythms of pulsating hiss. Occasionally, Jeck intercedes in his ghostly bricolage with a slowly rotated foreground element - a disembodied voice, a melody, or simply a fragment of non-specific sound - which spirals out of focus through a warm bath of delay. For almost ten years now, Jeck has been developing this methodology, building up to Stoke, his strongest work to date. Its opening passages are on a par with his Vinyl Coda series, with Jeck effortlessly transforming grizzled surface noise into languid atmosphere.But Stoke really gets going with the breathtakingly simple construction of Pax, upon which Jeck overlays an aerated Ambient wash with the time-crawling repetition of a single crescendo from an unknown female blues singer. By downpitching her voice from the intended 78 rpm to 16 rpm, he amplifies its emotional tenor by making her drag out her impassioned declarations of misery far longer than is humanly possibly. The effect is just beautiful. Philip Jeck has always been good, but Stoke makes him great.

credits

released January 1, 2002

license

about

Philip Jeck Liverpool, UK

Philip Jeck works with old records and record players salvaged from junk shops turning them to his own purposes. He really does play them as musical instruments, creating an intensely personal language that evolves with each added part of a record. Philip Jeck makes geniunely moving and transfixing music, where we hear the art not the gimmick. ... more

philipjeck.com

contact / help

Contact Philip Jeck

Streaming and
Download help

Redeem code

Report this album or account

If you like Philip Jeck, you may also like:

Agora
by Fennesz

supported by 12 fans who also own “Stoke”

What's not to love about this? hilarymullaney_fan
go to album
Everywhere, an empty bliss
by The Caretaker

supported by 10 fans who also own “Stoke”

A great finial to the project. It's like a glimpse of sunshine behind the clouds at the funeral. Caretaker's funeral. Like a disturbing calm in the ruins after fire. It brings to mind Basinski's classics. C'est fini. 2097
go to album
Everywhere at the end of time
by The Caretaker

supported by 9 fans who also own “Stoke”

I blame this album for making me love 30's music. This album does an amazing job at telling a story with only music. It's pure art. Nooahtroll19
go to album
Century Plaza
by Dan Sartain

Tenured punk Dan Sartain ditches the guitars in favor of midnight-blue synths and robotic rhythms on this album of minimalist synthpop. Bandcamp New & Notable Feb 18, 2016
go to album
the lower way
by White Suns

The racket avant-rock/noise group White Suns make is queasy and challenging, but with a taut sense of dynamics and composition. Bandcamp New & Notable Jan 19, 2021
go to album
Maquishti
by Patricia Brennan

The mallet percussionist and improviser's solo debut is flush with nostalgic melodies and stirring dissonances—a rich, experimental universe well worth exploring. Bandcamp Album of the Day Jan 15, 2021
go to album
sleep like it's winter
by Jim O'Rourke

supported by 8 fans who also own “Stoke”

"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)". Stefano
go to album